【工作坊】设计学院中本室内设计方向举行数字实践国际工作坊

“The world is on fire, and we are the fire”

Gokhan Kodalak and Sanford Kwinter introduction to Log 49, Summer 2020

“世界着火了，我们就是火”

Gokhan Kodalak和Sanford Kwinter介绍Log 49, 2020年夏季

Work by M. Arch 2 graduate Kumaran Parthiban, Spring 2021

Arch硕士研究生Kumaran Parthiban的作品，2021年春季

WORKSHOP BRIEF工作坊摘要

The workshop takes on a controversial discussion about nature and how architects, visual artists and landscape designers might engage with its contemporary representation. Borrowing Zizek’s words, nowadays “nature is over”; classical landscapes have been progressively replaced by a new notion of synthetic environments, in which natural and mutated visions co-exist. It is precisely in this new hybrid territory that the course begins.

本次工作坊就自然以及建筑师、视觉艺术家和景观设计师如何参与其当代表现进行了有争议的讨论。借用齐泽克（Zizek）的话，如今“自然结束了”；古典景观逐渐被合成环境的新概念所取代，其中自然和变异的视觉共存。正是在这个新的混合领域，课程开始了。

In particular, during the workshop students will create a new planet, made of hyper realistic lush green fields, colorful flowers, buzzing insects, fantastical animals, calm rivers and mountain lakes. Each scene is digitally designed with extreme care, down to the minutiae of the smallest creature, to convince and immerse the audience into the reality of the digital dream.

在工作坊期间，学生们将创造一个新的星球，由超逼真的郁郁葱葱的绿色田野，五颜六色的花朵，嗡嗡作响的昆虫，奇妙的动物，平静的河流和高山湖泊组成。每个场景都是经过精心设计的数字，甚至是最小的生物的细节，以说服并让观众沉浸在数字梦想的现实中。

3D digital Flora and Fauna specimens are composed into a series of intricate idyllic ecosystems. These contemporary landscapes are filled with hyper realistic artificial nature and they are a constructed miniature of a familiar jet imaginary place. Each object is a world unto itself.

3D数字动植物标本组成了一系列复杂的田园生态系统。这些当代景观充满了超现实的人工自然，它们是一个熟悉的虚拟空间的构建缩影。每个物体都有自己的世界。

The workshop questions the contemporary status of hyper-realistic digital representation and the impact it has on human perception, trust and imagination. The students’ projects will not yield to clean judgments about what is living or non-living, organic or technological, true or synthetic, they will create instead an attractive alternate reality that always remains eerily out of reach.

工作坊探讨了超现实数字表现的当代地位及其对人类感知、信任和想象的影响。学生们的项目不会产生关于什么是生物或非生物、有机或技术、真实或合成的清晰判断，他们将创造一个迷人的替代现实，总是令人恐惧地遥不可及。

The workshop is a 5 days full immersion in a wide range of contemporary digital tools and rendering techniques like Cinema 4D, Octane Render, Bridge and Quixel.The course is conducted by Andrea Cadioli, Associate Professor at the Southern California Institute of Architecture (SCI-Arc), and is co-hosted by the Nakamoto Environmental Design program at the School of Design and the Digital Environmental Design and Construction Studio, Studio 2 of the Center for Digital and Artificial Intelligence.Students will receive personalized feedback throughout the length of the workshop. The daily Technical Tutorials will introduce the students to a specific digital workflow with platforms widely used in photo-real visuals. The class will culminate with a final review, where students present their design work and receive feedback from architects and design professionals.

工作坊是一个为期5天的全面沉浸在各种当代数字工具和渲染技术中，如Cinema 4D，Octane Render，Bridge和Quixel。该课程由南加州建筑学院（SCI-Arc）Andrea Cadioli副教授开展，由设计学院中本环境设计专业以及数字化与人工智能中心第二工作室数字环境设计与建造工作室联合主持。在一个独特而生动的在线环境中。每天的技术教程将向学生介绍一个特定的数字工作流程，以及广泛用于照片-真实视觉的平台。课程将以最后的审查结束，学生将展示他们的设计作品，并收到建筑师和设计专业人士的反馈。

INSTRUCTOR导师

Andrea Cadioli

南加州建筑学院副教授

Andrea Cadioli 出生于意大利，曾在百代和MTV担任音乐人和电视节目主持人，之后前往北京，与都灵理工大学和清华大学合作完成了他的硕士学位学习。2016年是南加州建筑学院硕士项目2016年欧盟奖学金获得者。他的硕士论文获得了SCI-Arc论文奖，同年，他成为2018年Alpha Rho Chi奖章获得者。他的作品曾在Hauser & Wirth， MOCA和威尼斯双年展展出。在为Graft Architects、Plasma Studio、Sou Fujimoto Architects、Atelier Manferdini和HMC Architects工作之后，Andrea Cadioli目前是洛杉矶SCI-Arc的视觉研究副教授和Belzberg Architects的建筑师。

于良

伟德国际1946源于英国中本环境设计助教

环境设计专业助教，虚拟场景设计课程负责，南加州建筑学院硕士。2017年获得国家艺术类特殊培养项目全额奖学金赴美国南加州建筑学院(SCI-Arc)学习，并于2019年9月获得南加州建筑学院最佳毕业设计Gehry Prize以及建筑学硕士学位，毕业后曾工作于北京市建筑设计研究院和UNStudio建筑设计事务所上海办公室。并多次参与国内外高校相关的教学任务。